EDITIONS

North American | European

Rob Lion of Royal Surfboards and Paul Smith of Glide Surfboards in Cork, Ireland meet with Zephaniah Carrigg, purveyor of functional and beautiful surf craft, on a recent visit to the island. Photos: Danny O'Callaghan

Using locally sourced timber and having designed a manufacturing process that minimises waste, Mike LaVecchia of Grain Surfboards has cornered the market in beautiful, sustainable wooden boards. And the best bit? They ride like a dream. Photos: Nick LaVecchia

Mark Sankey discusses the merits and faults of EPS with two of Britain's finest craftsmen, Mark Dickinson and Rob Lion, both of whom have been shaping the stuff with style for a good few years now... [photos by Ollie Banks]

Jimmy Newitt pays homage to one of South Devon's treasures - not a break but a surfer who stands tall in the crowd. Words: Jimmy Newitt Photos: Ollie Howe

In Florianopolis - Brazil's surf capital - during prime swell season, an incomplete line-up gets Clare Howdle thinking... (Photos 2, 3, 4&8: André Côrtes; photos 1&7: Zander Grinfeld, www.venncreative.co.uk)

Drift checks in with Andrew Crockett following the release of the much-anticipated 'Switch-Foot II', a tribute to surfing's counter-culture.


Go lateral

March 05, 2010 | Words By: Chris P

go-lateral Good surfing doesn’t always mean you have to dominate the wave.

I’m going to expand a little on the things I touched on in A quiver approach – if you’ve already read it you’ll know there is a common thread to my own choice of surfcraft. Personally I believe style is all important in surfing, I don’t care how radical your turns are, if you have an ugly style, I’m not interested.

Having been initially drawn to the style inherent in traditional longboarding, once I started to experiment with shorter boards I looked for shapes that would still allow a smooth flowing style, one that works with the wave, rather than trying to beat it into submission.

When I’m trying to explain it to others I often term it like this: conventional shortboarding is all based on getting vertical, drawing very “up & down” lines on the wave. The surfing I’m into is based very much on drawing more flowing lateral lines on the wave, heavy singlefin logs on small waves, two- and four-fin fish on bigger waves and, lately, the ultimate lateral trim machine – the displacement hull.

If you watch a decent amount of video of these designs you will notice that there is a consistency to the tracks they draw, even though the direction changes may get a little more radical as the length comes down. I think you can draw a line through history based on this observation, from the very earliest surfcraft  through to these modern boards, whereas modern day shortboards represent the endpoint of a branch that sprouted following the “shortboard” revoloution of the late sixties when there was a global reaction against almost the principal of “trim” itself.

Some of you will relate to that, some of you will think it’s boring surfing. Thats cool. Each to their own – the world would be a boring place if we all liked the same thing. but I know I’m not the only one who feels this way.


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